Desire, lust
For Li, the commercial or mainstream label on a film is just a way to attract audiences and provide them with an enjoyable experience. More important are the messages and characters in the story.
"This film shows the heart of a woman, [reflecting] the heart of Chinese people. What is desire? How do you deal with it? These are [questions] that attract me," wrote Li.
This being Li's first suspense film, she worked with the production team on various filming techniques, using 5D cameras, 35mm and 16mm film tapes. Aerial photography and special effects were also involved.
According to Li, the special effects bring both a psychological and visual impact to audiences.
Complicated emotions have always been a strong feature in Li's films. The complex story structure and the metaphors in Double Xposure did not deter Li's expectations to develop the characters. In a few scenes, Li let actors ab lib, instead of adhering to the script.
"The script is a blueprint. The film needs to grow. A film growing from a blueprint is how it [finds] life and beauty."
Li finds the "pain" in the film beautiful, especially if audiences can relate to it. In one scene, Song and her boyfriend have a heated argument. Fang said the line "you think I am an idiot," was improvised.
Cooperation
Fang has produced many independent films, including Summer Palace directed by Lou Ye and Wang Chao's Anyang Orphan. The sensitive nature of the films encountered censorship problems.
These films did not bring high profits for Fang. For Buddha Mountain, the original script had to be abandoned, for it to reach theaters. Surpassing expectations, Buddha Mountain took in almost 80 million yuan ($13.3 million) at the box office, a number that few art films in China achieve.
Fang said that as a producer, it is his responsibility to foster film talents. Lacking experience, young directors easily fail without help from experienced producers. Directors often face pressure from sudden schedule shifts or complicated scenes. Producers need to step in at this time.
Fang said the cooperation between him and Li will continue regardless of the reception Double Xposure receives. Their teamwork is based on creative interests.
After the success of Buddha Mountain, Li was approached by many high budget projects. She rejected all of them, considering carefully each project she works on.
"Box office numbers do not represent everything... China needs to discuss what kind of film is good and worth sharing. We should challenge and put pressure on ourselves to produce a good film."